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Social change and design How social innovation can be triggered and supported by design The transition towards sustainability requires optimum use of all the existing resources.

In a small, densely populated, highly connected Planet, social resources are by far the most abundant ones. Therefore, one of the most promising strategies towards sustainability is to create the conditions that catalyse these diffuse social resources, transforming these potentialities into concrete initiatives capable of generating large systemic changes.

This is what design for social innovation is about and what this paper will introduce and articulate in lines of action. From Vision To Motion From the outset, a promise has been attached to digital images, crediting them with a special immediacy, tactility, and thus also affectivity.

In the process of digitization, one specific element of the picture is lost — the frame. As a result, however, the affective body gains a new task, described by Mark B. Hansen as reframing perceptions of reality, thus referring to Henri Bergson, who defined the distance between one image and the next as an interval.

This interval was later defined by Gilles Deleuze in his books on cinema as the time of affect. El Dr. Bioremediality: Reconsidering cells, viruses, and other microbes as agent of waste creation in biological art How can working with microbial and microscopic agents help researchers and artists rethink material and waste production? Bioremediation is a field of research in the life and environmental sciences where microbes are engineered to remediate toxic and polluted landfill.

A similar practice can be seen in contemporary tissue culture engineering where bacterial and viral pathogens in the cellular body are remediated through the use of bacteriaphage cocktails. In this talk, the artist will discuss about how 3 recent projects including Living Viral Tattoos, Cryobook Archives and Wet Net, use viruses, fungi, bacteria and human tissues to remediate ecologies of media production from the studio and lab to landfill.

The ecological and geological implication of waste creation in art and science creation, often hidden from public view and sometimes imperceptible to the human eye or time scale, will be explored.

Radiabolus The goal of my artistic projects is to induce empathy from the viewers towards characters that are nothing else than simple articulated metal structures. My objective is to conceive and realize large-scale robotic environments that aim to question, reformulate and denature the notions of behavior, projection and empathy that generally characterize interactions between humans and machines.

Since its early stages, my work has been strongly influenced by scientific advances in the fields of Artificial Life and Robotics. I am particularly interested in creating original artistic projects by appropriating various engineering and scientific concepts and techniques in order to subvert them from their intended purpose.

The installation resembles a military communication station. The space is surrounded by what appear to be individual listening stations. What is particularly intriguing is the war machine in the rhetorical sense, the persuasion machine.

Once the listening station is activated by the numerical code, visitors hear all sorts of music for ads related to the lifestyle of the armed forces. An ad for national security or propaganda for enrolling new recruits? Are advertising codes different from propaganda? Radiabolus, if code interests you. A musical realm in which the military-entertainment complex expertly mixes the sonic stuff of civilian life with the clarion call of the conflict zone.

Composer, sound designer and electronic music artist. His works has been presented in several contexts, contemporary music and digital arts festivals, in Canada, Europe Chatelet Theater and Radio- France in Paris, etc. With media artist Yan Breuleux, he formed the duo PurForm. Thibault is presently artistic director of Elektra, an international digital arts festival, presented every year in Montreal, Quebec, Canada.

In ogni caso oggi questi 8 Obiettivi non sono stati raggiunti. Si tratta di un lavoro non compiuto Unifinished Job. Se ha proyectado en festivales de todo el mundo, como Electrofringe en Australia, Cinelatino en Toulouse y Piksel en Noruega. Licenciado en Artes Visuales de la Universidad de Chile Los posters se exhiben en el hall de entrada de.

Teatro Los Fundadores, durante la semana del Festival. Offline johnwilsonherrera gmail. En este tipo de discusiones enfocadas en las comunidades de aprendizaje sobresalen los Ambientes Virtuales de Aprendizaje.

Cuarto, es escenario de interactividad Coll et al. Las plazas de mercado se encuentran. Universidad de Caldas walter. Entre otros, se abordaron trabajos de autores como Paula Sibila y Manuel Castells , Para entenderlo como entidad comunicante se analizaron las relaciones de sus componentes con el contexto. Se hizo necesario acotar los memes mediante los estudios de la imagen enfocadas en sus relaciones con el signo Aumont, ; Mitchell, ; Panofsky, El presente documento ofrece en primera instancia aspectos relacionados con el arte popular mexicano del cual se derivan los juguetes tradicionales para continuar con el.

Las propuestas del grupo discuten y problematizan conceptos. Paz Tornero Mg. El artista Roy Ascott lo denomina Moistmedia. Nos movemos con rapidez. Al igual. Alejandro Zuleta Gil Ph. La postmodernidad propone reconstruir fragmentos para dar nuevos sentidos y generar nuevos objetos. Tiene fe en la imagen. Si yo soy la imagen, soy el medio, soy lenguaje mismo. Al mismo tiempo, el medio me hace distinguirme del cuerpo mismo y de la cosas. Alma Pineda Almanza Ph. Fabrizio Ammetto coordinador general del proyecto y el compositor-investigador Dr.

Palabras clave: Arquitectura, posmodernidad, paradoja, imagen, complejidad. Palabras clave: Marca, imagen, imaginarios, ciudad, relatos. Finalmente permite reconocer su objetivo real.

Habitantes del territorio, integrantes del Gobierno Municipal y agentes externos, participaron del estudio utilizando una. Palabras clave: Comportamiento, arte, historia, agenciamiento, sociedad. Lessig, considerando. De otra parte, el autor con estudios en literatura J. Javeriana y U. Daniel Pablo Cruz V. Carolina Vesga Montes Mg. El teletrabajo y el emprendimiento, una estrategia para el desarrollo productivo basado en las TIC.

Paula A. Cuando narro, me narro y en este escenario de re-representarse y buscar nuevas formas. El componente sonoro en las animaciones colombianas de a Fase I.

Se enuncian capacidades y alcances del trabajo realizado. Los integrantes de ViSoR. Es la primera vez que una universidad participa en el desarrollo de contenidos para la torre. The convergence of these two is leading to a new generation of adaptive technologies.

Research on dynamic enclosures has been of interest in the architectural academic scene for at least 40 years Moloney, p. A significant transition has occurred in recent history as an increasing interest in the performance of the envelope has taken center stage. Whereas post-structuralist architectural philosophers had placed attention on formal issues of composition and representation, growing concern now presides in how form is informed and the process undertaken.

Expanding research in building performance indicates that improving the capacity of the building envelope to mitigate external conditions with the needs of internal comfort is critical in the search to diminish the environmental impact of the construction industry. Yet, the shift from static towards dynamic kinetic facades aims to cope with the fact that the natural environmental conditions are in a constant state of change.

The advent of widely available computational tools has meant a significant growth not only in research but also in the implementation of dynamic responsive facades. In the context of pervasive computing, the designer is aided in the planning, simulation, fabrication and control of dynamic processes. Exploration in this area continues to grow as the acquisition of related electronic equipment including. Moreover, the increasing need for energy efficient buildings to cope with the current environmental crisis necessitates innovation in the building envelope.

The work presented in this article is situated in the above mentioned context and intends to contribute to a growing field of research by first discussing tendencies in both literature and practice. Es por esto que las culturas transforman su identidad, pues las nuevas generaciones adoptan otras costumbres ofrecidas por los mass media. Palabras Clave: Accesibilidad, Autoeficacia, Adultos mayores e interfaz. De ese sentimiento contradictorio nace esta pieza audiovisual. El viaje evoluciona a partir de ambientes puros y naturales como el mar y los bosques, hacia el medio ambiente intervenido por el hombre.

Transmedia www. La parte de registro visual fue realizada por estudiantes y profesores del MICA. Tal como el funcionamiento de este universo en el que habitamos. La obra se expone de forma onLine y offLine. Su muestra offLine consta de un concierto visual de 28 minutos. Se sugiere el uso de una sala de cine, teatro o auditorio equipado. Fue generada utilizando herramientas digitales, dibujos vectoriales, que luego fueron animados. This platform allows to animate various elastic materials and apply film like effects in real-time.

MANGALOREAN RECIPES PDF

Historia de Cúcuta

Las diferencias entre santanderistas y bolivarianos eran evidentes, promulgando los primeros un federalismo y los segundos un poder central y presidencial fuerte. Los conservadores contaban con las Fuerzas Militares y elementos paramilitares, mientras que los liberales operaban como guerrillas. Se vio un pueblo luchando contra dos fuerzas: la de los revolucionarios que los encerraban y la de los gobiernistas que los asediaban junto con los rebeldes. Estas fueron construidas a cada dos cuadras de las cuatro esquinas del par - que Santander yen las bocacalles intermedias. Las 17 trincheras construidas por los revolucionarios se encontraban localizadas del siguiente modo:. El cerco se produjo distribuyendo los batallones en contorno de la ciudad rodeada de trincheras. Luis Febres Cordero y Dn.

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